She spoke with decision, but Owen seemed still unsatisfied. "You won't go away, I hope?" "To the smallest snuff-box. The last load went yesterday. The same people did it. Poor little Ricks is empty." Then as if, for a crowning splendor, to check all deprecation, "They're yours, you goose!" Mrs. Gereth concluded, holding up her handsome head and rubbing her white hands. Fleda saw that there were tears in her deep eyes.!

Owen was baffled but a few seconds; he had thought of everything. "Why, that's just where you come in." "To give her the house!" Mrs. Gereth brought up the words from the depth of the unspeakable. The effort was like the moan of an autumn wind; it was in the power of such an image to make her turn pale.

"When I got into this I didn't know you, and now that I know you how can I tell you the difference? And she's so different, so ugly and vulgar, in the light of this squabble. No, like you I've never known one. It's another thing, it's a new thing altogether. Listen to me a little: can't something be done?" It was what had been in the air in those moments at Kensington, and it only wanted words to be a committed act. The more reason, to the girl's excited mind, why it shouldn't have words; her one thought was not to hear, to keep the act uncommitted. She would do this if she had to be horrid. "She never saw it at all, she never looked at it!" cried Mrs. Gereth. Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.